The Final track “Talking to My Diary” uses a 2minute jazz trumpet solo after Dre’s verse over a hiphop song which was Dontae’s 1st take.
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Dre’s Compton Movie Soundtrack (where Dontae composed the iconic fanfare intro and played solos throughout the album).
His trumpet/arranging/songwriting can be heard on classics such as Kanye West’s grammy winning “We Major” from the multi-platinum Late Registration, Jayz’s “I Made it”, Dr. With Erykah Badu, Dangelo, Jill Scott and many others, the genre found again its class: an echo of the simplicity and refinement that brought to life the albums of Marvin Gaye, Curtis Mayfield and Roberta Flack.Dontae Winslow is one of the most versatile in-demand trumpeter/arranger/composers on the Hollywood music scene. In 40 years of career, he managed to mix the legacy of the founding fathers (James Brown, Sly Stone and George Clinton) with influences like rock n roll, electro and even jazz.Īn exuberant and stunning groove that shone mainly between 19. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Recording Engineer, StudioPersonnel - Dave Pensado, Mixer, StudioPersonnel - ALLEN SIDES, Recording Engineer, StudioPersonnel - Toxic, Producer - Anthony Hamilton, FeaturedArtist - Frederick Taylor, ComposerLyricist - Donald Alford, Producer - Dru Castro, Recording Engineer, StudioPersonnel - Keyshia Cole, MainArtist, ComposerLyricist - RON FAIR, Producer - Mike Eleopoulos, Recording Engineer, StudioPersonnel. Recording Engineer, StudioPersonnel - Alec Newell, Recording Engineer, StudioPersonnel - Dave Pensado, Mixer, StudioPersonnel - Too Short, FeaturedArtist - The Runners, Producer - Jermaine Jackson, ComposerLyricist - Dru Castro, Recording Engineer, StudioPersonnel - Keyshia Cole, MainArtist, ComposerLyricist - RON FAIR, Producer - Dru Brett, ComposerLyricist - Mike Eleopoulos, Engineer, StudioPersonnel.Ĭurtis, Producer, Recording Engineer, StudioPersonnel - Dave Pensado, Mixer, StudioPersonnel - ALLEN SIDES, Engineer, StudioPersonnel - Keyshia Cole, MainArtist, ComposerLyricist - RON FAIR, Recording Arranger, AssociatedPerformer. Just Like You Just like who, exactly) Despite all this weirdness, this stands as a very good album by Keyshia Cole, also the point where Coles voice grows from an occasionally powerful emotive device into a versatile instrument.
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Clay soldier mod 1112Īdd a wicked Missy Elliott-produced throwback to Bad Boys golden era, a repeat appearance of Coles album-stealing feature from Diddys Press Play - which, coincidentally, also contains a Blige feature - and a photo spread that looks very Blige-like, and you might wonder whether or not Cole is pulling a Single Black Female. Songs co-written and produced by others, like Fallin Out and Give Me More, would also be easy fits on The Breakthrough, balancing desperation with conviction and mixing lush arrangements with penetrative melodies. Got to Get My Heart Back would sound natural flowing out of The Breakthroughs Take Me as I Am, not just sonically but as the next natural development in a busted relationship - from putting a foot down to making a recovery. Got to Get My Heart Back could have been written to one-up The Breakthroughs Enough Cryin these two Jerkins productions are somewhat similar in makeup, though the formers sting is a little more bittersweet while also hitting just a little bit harder. The common collaborators include Rodney Jerkins, Ron Fair, and Bryan-Michael Cox, two of whom had nothing to do with The Way It Is. In some ways, Just Like You plays out like an album that couldve only been made after Bliges Breakthrough. In addition to becoming Bliges labelmate at Geffen, Cole prefaced the albums release with performances that included her takes on Im Going Down and Sweet Thing - two songs memorably updated by a young Blige - which could be construed as insolence, reverence, or a combination of the two. Coles second album will only prompt more of those comparisons, nearly to the extent that it might seem like its purpose.
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